{"title":"Magazines","description":"\u003cp\u003eBrowse our Magazines collection. Free Shipping.\u003c\/p\u003e","products":[{"product_id":"issue-035-februarymarch-2002","title":"Issue 035 February\/March 2002","description":"\u003cp\u003eIn this Issue:\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOscar Contenders\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eMake-Up Artist\u003c\/em\u003e magazine takes its annual look at the films being considered for the Make-up OscarÂ® at the 74th Academy AwardsÂ® Presentation. The seven films analyzed are: \u003cem\u003eA.I. Artificial Intelligence\u003c\/em\u003e, \u003cem\u003eHannibal\u003c\/em\u003e, \u003cem\u003eMoulin Rouge\u003c\/em\u003e, \u003cem\u003eThe Lord of the Rings: The Fellowship of the Ring\u003c\/em\u003e, \u003cem\u003eA Beautiful Mind\u003c\/em\u003e, \u003cem\u003eHarry Potter and the Sorcerer's Stone\u003c\/em\u003e, and \u003cem\u003ePlanet of the Apes\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eNick Dudman: Muggles, Magic \u0026amp; Make-up\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eJoe Nazzaro talks to Nick Dudman about bringing fantastical characters from the pages to the big screen for \u003cem\u003eHarry Potter and the Sorcerer's Stone\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eInternational Make-Up Artist Trade Show: Europe\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePaul Vale recaps the International Make-Up Artist Trade Show held in London. Featured speakers included Stuart Freeborn, Nick Dudman, Dick Smith, and Sharon Dowsett.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAlias\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eShannon Levy gets Angela Nogaro, make-up department head for ABC's \u003cem\u003eAlias\u003c\/em\u003e, to spill the secrets behind the many disguises of Sydney Bristow (played by Jennifer Garner).\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":49091444179044,"sku":"czt1787923842774","price":2.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9705\/7380\/files\/issue-035-februarymarch-2002_1.jpg?v=1787923848"},{"product_id":"issue-037-junejuly-2002","title":"Issue 037 June\/July 2002","description":"\u003cp\u003eIn this Issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eCSI\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003eWe takes you behind the scenes of the CBS hit crime series. He talks to Key Make-up Artist Nick Pagliaro and Special Effects Make-up Chief John Goodwin, who split the show's myriad chores between them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAyako\u003cbr\u003e\u003c\/strong\u003eA Cinderella story from the land of the Rising Sun. Ayako, whose talent has taken her to the pages of \u003cem\u003eVogue\u003c\/em\u003e, \u003cem\u003eHarper's Bazaar\u003c\/em\u003e and \u003cem\u003eElle\u003c\/em\u003e. She has also collaborated with some of the world's most influential designers such as Versace and Diane Von Furstenberg.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Baker: MIB2\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMake-Up Artist\u003c\/em\u003e magazine speaks with Rick Baker about working on \u003cem\u003eMen in Black II\u003c\/em\u003e, about aliens and computer designs.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":49091444211812,"sku":"pty1787923843064","price":7.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9705\/7380\/files\/issue-037-junejuly-2002_1.jpg?v=1787923848"},{"product_id":"issue-025-junejuly-2000","title":"Issue 025 June\/July 2000","description":"\u003cp\u003eIn this Issue:\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eField Trip to New York\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eMA\u003c\/em\u003e takes a field trip to the Big Apple and you're invited. We cover the 'Big Guys'--Dick Smith, Carl Fullerton, Allen Weisinger, and Michael Laudati--as well as John Dods, who worked on \u003cem\u003eA Kiss Before Dying, Naked in New York,\u003c\/em\u003e and \u003cem\u003eBoomerang\u003c\/em\u003e; Bob Laden, whose work includes \u003cem\u003eAmistad, Scent of a Woman, The Exorcist, Kiss of the Spider Woman,\u003c\/em\u003e and Stephen King's \u003cem\u003eThinner\u003c\/em\u003e; Michael Thomas, of \u003cem\u003eSaturday Night Live, Ghostbusters 1 \u0026amp; 2,\u003c\/em\u003e and \u003cem\u003eFatal Attraction\u003c\/em\u003e fame; Neal Martz, creator of slashed throats for \u003cem\u003eThe Devil's Advocate,\u003c\/em\u003e and \u003cem\u003eCarlito's Way\u003c\/em\u003e; Marianne Skiba, of \u003cem\u003eAll My Children\u003c\/em\u003e; and the \u003cem\u003eSaturday Night Live\u003c\/em\u003e team.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Godfather: Dick Smith\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTo do an issue on the make-up community in New York without Dick Smith would be a crime. He wasn't the first make-up artist in NY, but he is the father of those that there are today in NY make-up. He introduced materials and invented techniques that revolutionized the industry. Much has been written about him and his career has been published in detail several times. So we cover just the highlight of his career. Dick, being the meticulous man he is, submitted such great notes that we decided to publish them uncut and in his own words along with many pictures from some of his greatest make-ups.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Magician: Carl Fullerton\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAfter 27 years as a top craftsman in the entertainment business, a make-up artist of Carl Fullerton's stature might be expected to boast of his triumphs, but Fullerton is among the most modest, most talented gentleman in his field. With a resume that spans numerous prestigious projects, Fullerton has been responsible for creating believable character make-ups of all races and extractions while balancing his work with an equal number of effects and special requirement jobs. His credits include \u003cem\u003eThe Wiz, Altered States, The Hunger, Glory, Silence of the Lambs, The Shadow, Philadelphia, Beloved,\u003c\/em\u003e and \u003cem\u003eThe Hurricane.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Hitman: Allen Weisinger\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAllen Weisinger, a native son of New York City, has taken a big bite out of the Big Apple's make-up scene. A meeting with fate put him on the road to becoming a make-up artist and he hasn't slowed down since. Big features, big names, and a steady career have been his trademarks. Weisinger has worked with Nicholas Cage on \u003cem\u003eBrining Out the Dead, 8MM, City of Angels\u003c\/em\u003e and \u003cem\u003eFace\/Off.\u003c\/em\u003e He also worked on \u003cem\u003eGladiator, Family Man\u003c\/em\u003e and \u003cem\u003eGone in 60 Seconds.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eStar Player: Michael Laudati\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eFor twenty years, make-up artist Michael Laudati has been tending to some of the most respected actors in film. His hands have painted the face of Al Pacino for theater, transformed Walter Matthau into Einstein in \u003cem\u003eI.Q.\u003c\/em\u003e, turned Chazz Palminteri into a corpse for \u003cem\u003eDiabolique\u003c\/em\u003e, bruised Tom Cruise's face for \u003cem\u003eFar and Away\u003c\/em\u003e, and turned Harrison Ford into America's 16th President on a surreal magazine cover. 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Keynote speakers include Stan Winston, Todd McIntosh, Robert Schiffer and Gordon Espinet. Kazuhiro Tsuji's large bust of legendary make-up artist Dick Smith is the centerpiece of conversation for the Museum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmazing Face\u003cbr\u003e\u003c\/strong\u003eWe talk with Marcela Murad, Olivier Zegers and Carmelle Bloxsom - among others - about the growing community of face painters.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character 1","offer_id":49091444277348,"sku":"crj1787923843895","price":7.2,"currency_code":"USD","in_stock":true},{"title":"Character 2","offer_id":49091444310116,"sku":"xnf1787923843896","price":7.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9705\/7380\/files\/issue-038-augustseptember-2002_1.jpg?v=1787923849"},{"product_id":"issue-036-aprilmay-2002","title":"Issue 036 April\/May 2002","description":"\u003cp\u003eIn this Issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnsung Heroes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJoe Nazzaro takes a look at the many make-up artists whose work has, so far, gone unrecognized by the industry. 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Though McIntosh admits there are many ways to run a department, these are his ideas on what works and what doesn't.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaving the Best for Last: A look at end-of-the year releases with significant make-up\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe make-up low-down on some of the best and highest budgeted films of the year's end. Films include sequels to \u003cem\u003eLord of the Rings\u003c\/em\u003e, \u003cem\u003eHarry Potter\u003c\/em\u003e and \u003cem\u003eThe Santa Claus\u003c\/em\u003e as well as some major newcomers like the musical, \u003cem\u003eChicago\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharon Gault \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWriter Shannon Levy gets to the bottom of how hair-colorist-turned-make-up artist Sharon Gault earned herself the nickname \"Mama Make-up\" and became a celebrity in her own right.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":49091444375652,"sku":"eaq1787923845358","price":2.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9705\/7380\/files\/issue-040-decemberjanuary-2002_1.jpg?v=1787923850"},{"product_id":"issue-044-augustseptember-2003","title":"Issue 044 August\/September 2003","description":"\u003cp\u003eIn this issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDare to Air by Todd McIntosh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMake-up artist Todd McIntosh gives advice on tools, tricks and the ever-changing techniques for airbrush make-up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAir Essentials by Bradley M. Look\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMake-up artist Bradley Look gives the low-down on the history of airbrush make-up and a guide to the best airbrush product lines.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMake-Up Artist Trade Show 2003 by Cliff Wallace\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecial FX artist Cliff Wallace highlights the seventh annual International Make-up Artist Trade Show in Pasadena. A make-up museum included work from Blade 2 and X-Men 2, over 70 booths of exhibitors represented companies from around the world and demos took place across the convention center.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":49091444408420,"sku":"fsl1787923854651","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9705\/7380\/files\/issue-044-augustseptember-2003_1.jpg?v=1787923858"},{"product_id":"issue-048-aprilmay-2004","title":"Issue 048 April\/May 2004","description":"\u003cp\u003eIn this Issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMake-Up from Around the World\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Make-Up Artist magazine's fourth annual \"Make-Up Artists from Around the World\" report, features artists from Italy, Hungary, Japan, Canada, Australia, Spain and Iran to see how they express their varied methods in the same medium.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaptive Audience by \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe explores the incredible make-up artistry work performed by Keith Vanderlaan's company, Captive Audience Productions, on blockbuster films such as The Passion of the Christ, Van Helsing, White Chicks and Pirates of the Caribbean.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMary Greenwell \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe talk with British make-up artist Mary Greenwell about her career, which spans from representing the Il Makiage cosmetic line at a Beverly Hills boutique in 1972 to becoming one of the most sought after make-up artists and consultants across the globe.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":49091444506724,"sku":"sil1787923860369","price":2.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9705\/7380\/files\/issue-048-aprilmay-2004_1.jpg?v=1787923864"},{"product_id":"issue-046-decemberjanuary-2003","title":"Issue 046 December\/January 2003","description":"\u003cp\u003eIn this issue:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear End Movie Round-Up\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHighlights from 2003's best make-up movie moments including The Last Samurai, Mona Lisa Smile, Monster, Peter Pan and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtists by Timothy Priano \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe take a look at the work of some of the finest make-up artists represented by the New York-based talent agency, Artists by Timothy Priano.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStargate SG-1 \u0026amp; Andromeda: Keeping Up Appearances\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe expose the make-up secrets behind the heavily costumed sci-fi shows Stargate SG-1 and Andromeda.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":49091444539492,"sku":"epm1787923860350","price":3.12,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9705\/7380\/files\/issue-046-decemberjanuary-2003_1.jpg?v=1787923864"},{"product_id":"issue-052-decemberjanuary-2004","title":"Issue 052 December\/January 2004","description":"\u003cp\u003e\u003cstrong\u003eOscar contenders:\u003c\/strong\u003e \u003cspan style=\"font-style: italic;\"\u003eHellboy\u003c\/span\u003e, \u003cspan style=\"font-style: italic;\"\u003eRay\u003c\/span\u003e, \u003cspan style=\"font-style: italic;\"\u003eThe Aviator\u003c\/span\u003e and \u003cspan style=\"font-style: italic;\"\u003eLemony Snicket's A Series of Unfortunate Events\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlex Gillis and Tom Woodruff Jr. of Amalgamated Dynamics Inc. (ADI\u003c\/strong\u003e). 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